Original needlepoint art
Inspired by decorative Islamic tiles, architecture and flora.
Contemporary needlepoint. Visual culture.
A slow process of creative translation, made with passion, dedication and imagination. These needlepoint pieces are stitched by hand onto mesh canvas, in a way that resembles pixels. It differs from traditional tapestry woven on a loom, with a warp and weft. The size of the stitches (resembling pixels) is determined by the mesh hole size and the relative thickness of wool being used. Some works are finely stitched, others are more textural, chunky and architectural.
All of Natalie’s works are originals, mostly designed from her own photographs. She enlarges the designs to the required finished size, draws the outline of the main motifs onto the canvas, then stitches the patterns in a freestyle manner, without charting or graphic the pattern. Individual flourishes and variations are added as part of the creative process.
Hand stitching is a slow, relaxing process that allows Natalie to feel connected to the visual culture and heritage of the site of origin that inspired her work.

Listen to Natalie on location in Sharjah, United Arab Emirates
Videography and stills: moonlightmedia.me, 2024
For release
1 August 2025
Chok: Uzbek Architecture in Needlepoint
Chok is the Uzbek word for ‘stitch’. In my new book I visit nine sites across four cities in Uzbekistan and illustrate how I translate glorious decorative tile work into needlepoint art.
You will also meet more than 60 participants in a community needlepoint project, culminating in an exhibition at the Wagga Wagga Art Gallery, NSW, Australia.
Come and enjoy an in-person book launch and one-night-only exhibition of my Uzbek-inspired needlepoint works in Wagga Wagga on Friday 1 August. More details and reservations here.
104 full colour glossy pages. 90+ full colour images. Wide A4 size. Includes detailed instructions for a small needlepoint project.